Silver Shade film from the Impossible Project for the SX-70. The film comes out of the camera still sensitive to light so you kind of have to let the film drop out of the camera and into a box. I think that's part of the reason why these are so faint, I actually brought them back a lot in post.
the darker ones look mysteriously interesting like a specter beckoning the viewer towards a far greater destiny than can even be perceived in the minds eye of the cameras lens, never mind the beholder...
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